#In yep roc records free#

And you can also lead the charge with some of those things, whether it be experimenting in new marketplaces and formats, or sometimes you have to lead the way in terms of marketing as well.Ī lot of the people we worked with at first were just individual artists. It’s been an important part of our model from the get-go: having the ability to have your own content, your own records that nobody can take away from you. How important has Redeye been to your success?

Younger acts probably have way more vinyl, while an artist that’s been around for a while is a little more on the CD side. For us, the physical side is still pretty strong close to forty percent vinyl and maybe sixty percent CDs. The digital side has been strong for awhile, but its obviously changed from downloads to streaming. I’d think your revenue pie must have undergone a major shift. The best of INDY Week’s fiercely independent journalism about the Triangle delivered straight to your inbox. Glenn Dicker spoke with us from New York about changes that have occurred since Yep Roc 15, the “legacy label” label, and the continued glories of owning a successful record company.

#In yep roc records free#

When it celebrates twenty years of existence in a weekend that includes two nights at the Cradle and a free outdoor show in Hillsborough, where the company is currently located, the stages will feature many of the impressive names that continue to grace the Yep Roc roster, including Nick Lowe, Mandolin Orange, Dave and Phil Alvin, Tift Merritt, Tony Joe White, Dressy Bessy, and the Fleshtones.

Dedicated to no genre and guided solely by the tastes of its founders, Yep Roc has risen from modest beginnings to the status of a proven winner, flourishing while others fade away.

In 1997, Glenn Dicker was the head of his own small label, Upstart Records, and Tor Hansen was the owner of a new distribution company called Redeye when these two old friends ended up in North Carolina and decided to launch Yep Roc Records.